Date: 12 February 2002
I love this pedagogic, fussy shit. Who but he writes the title neatly below each drawing? All his annoyingness and little lines and clever sayings and archetypes which are stereotypes. And the only people looking were grannies and pas and Japanese, and we dont like them do we. But, big ass but, he is good, and did good paintings, and those curves and flattened space speaking volumes are good. Why? He tried to explain and failed with too much eloquence, and so fuck off.
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