From: corinne price
Category: Exhibitions
Date: 19 December 2002
Morrison bad and soulless? What's that about, then? He is capable of creating a beautifully synthetic interpretation of nature. Did you notice the way that his paint cut up the canvas? The way he determined where the eye went (which always turned out to be just the place you wanted to be)? The calmness felt in those jagged black and white edges? Perhaps you'd prefer to see another of Milroy's paintings of draw handles instead? Go on, just one more...
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