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Sarah Myerscough Fine  London, ArtMASK: Patricia Rorie Nick Archer Vasiliki Gkotsi   2nd January - 10th February
Reviews

From: RS
Category: Exhibitions
Date: 09 January 2004

Review

http://www.smyerscough.freeserve.co.uk/gallery_frame.htm

Hmmm, said the hummer to the singer. Really didn't like Nick Archers's paintings, they were dull, just same faces with a blurring effect. Made one feel weary for the failure of figurative painting. Compare the smart John Currin, the prime exponent of people in pictures. The difference is Currin makes you care, the rest just make images in paint, without hope that they could be any more than that. Gkotsi's large painting of a diseased face had a kitsch quality, like a painting of clown , both in the elaborate blobby technique and the subject. This could be disturbing and effective but that doesn't happen, either because of the gallery context or because the face fills the frame, which is a convention of contemporary portraitue, see chuck close, jason brooks etc. Patricia's Rories self portaits project her into various computer gameish scenarios, and they're painted in a graphic smooth kind of way. They have an alluring edge, but don't convince, though there is the pontential for them to become seductive, in that case the paint would have to be beautiful, and the colours carefully modulated which at the moment they fall short of being.

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